how to fly
grow a pair of wings. wait. let’s start that again.
kira tells me over breakfast that she’s trying
to lucid dream. untoasted bagel flat open-faced
on the plate, managed to seize the last regular
cream cheese she usually misses arriving
after the morning rush. for many reasons,
but mostly curiosity, kira is attempting flight.
i am somewhat skeptical. the last time i realized
i was dreaming, my motion was limited and choppy,
sleep shedding a feather for every attempt,
magnetically plucked by consciousness.
a dreamer’s nightmare. it didn’t feel like flying
so much as trying to hold on. wait. let’s start that again.
molly sits behind the wheel of her red jeep
and tells me about black holes. that year
i spent riding passenger, we took potholes
like the last obstacles launching us into atmospheric
disappearance, pinky-promising endlessly
to the plastic idol of spring-loaded jesus bobbing
on her dashboard. molly’s been getting
really into simulation theory and between breaths
of mint-flavored rush, steam spent to hotbox,
leaving stars on the windows, molly
never shuts up about it. i don’t know what will happen
to me when i die, but i am viscerally afraid
of pixelation. even more i am afraid
of nothing. i think i spent that year inhaling
second-hand god complex, convinced we cohabitated
the sky. what a rude awakening, every time
we hit the road. wait. let’s start that again.
shumita’s dad takes us to an aquarium
where we can peer over the side of the walkway
and watch penguins wobbling beneath us. my delicate
sensibilities debilitated, i can’t make it up past
the second floor. i possess a deathly fear of heights.
always have. wait. let’s start that again.
i’ve heard flying is a little overrated. wait.
Cathleen Weng has called many states home: Massachusetts, South Dakota, New Jersey, Alabama, Tennessee, New York, and now Connecticut. She likes her poetry apocalyptic and her prose optimistic. Almost everything she writes is a love letter to her friends, in one way or another. Cathleen has previously been published in Paranoid Tree Press, Glass Mountain, and the Nassau Literary Review.